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I. Architectural ensemble (description)
II. Architectural ensemble (scheme)

III. Monuments of architecture:

a) On the territory of Lavra

  • 1.The Trinity Cathedral and Nikon Chapel
  • 2.The Church of the Holy Ghost
  • 3.The Assumption Cathedral
  • 4-5.The Infirmary Chambers and St. John the Baptist Cells
  • 6.The Refectory
  • 7.The Tsar Palace
  • 8-9.The Chapel-over-the Well and Church of the Nativity of St. John
  • 10-11.The Church of the Virgin of Smolensk and Metropolitan Chambers
  • 12-14.The Vicegerent Chambers, Treasurer Cells and Sacristy
  • 15.The Bell Tower
  • 16-17.The Obelisk and Fortress walls
  • á) The Fortress Towers
  • 18-19.The Carpenter and Pilgrims Towers
  • 20-21.Bell Tower and Duck Tower
  • 22,24.Drying Tower and Red Gate Tower
  • 25-26.Good Friday and Onion Towers
  • 27-28.Water, Beer and Cellarer Towers
  • â) Outside the Lavra Territory
  • 30-31.The Church of Presentation to the Temple and Good Friday Church
  • 32-33.The Chapel-over-the Well and Red Hill Chapel
  • The Monastery Hotel and Konny Dvor
  • Rus Eng

    The Chapel-over-the-Well (late 17th century)

    The Chapel-over-the-Well At the end of the 17th century an original chapel was constructed over a spring discovered, when the Assumption Cathedral was repaired. The chapel had a well in the altar place. The Chapel-over-the- Well is not large, but it is lavishly adorned with stucco molding and bright painting. The Chapel is a kind of tiered Moscow church of the late 17th century. It stands out against the white walls of the Assumption Cathedral. Its elegant proportions, refined shapes and festive decoration enhances its solemn majesty.








    The Gate Church of St. John the Baptist (1693 – 1699)


    The Church of St. John the Baptist The Church replaced the old Church of St. Sergius near the Red Tower. It was constructed with the support of the eminent Stroganov family. Thus, the Church has traces of the so-called Stroganovs’ buildings with their free interpretation of forms and numerous intricate details. The Church consists of three massive cubes. Constructed one on top of the other, the cubes form a pyramidal composition crowned with five cupolas. The lower cube has a gate arch. On both sides of the arch there are staircases leading to the upper landing where stands the quadrangle Church with three apses surrounded by a gallery. The facades are painted brown-red. They are divided by vertical semi-columns with carved capitals. The double octagonal windows are framed with carved white-stone details. Above the windows there is a frieze of large semi-circular shells. The cupola drums are decorated with colonnettes.

    The Gate Church with decorative facades is a kind of linking element between the Refectory and the Tsar Palace, emphasizing the influence of their festive architecture on the ensemble. The original icons and murals have not survived. The existing iconostasis and frescoes date back to the late 19th century. They were renovated in 1978. In the north-western corner of the gallery there is a small stove coated with tiles. It is the earliest surviving stove dating back to the 17th century. In 1806, four of original five cupolas were dismantled “for better harmony with the small Church”. (The cupolas were reconstructed in 1974). In 1977 – 1981, the interior was repaired and restored.

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