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The Museum Collections

Introduction
I. History and Art Collection
1. Icons of the 14th – 19th centuries
  • icons of the 14th – 17th century
  • 2. Jewelry art of the 14th – 20th century
  • jewelry art of the 14th – 17th century
  • jewelry art of the 18th – 19th century
  • the european silver 14th - 19th centuries
  • 3. Small-size sculptures (works of metal, wood, bone)
    XI – the beginning of the XX century
  • Small-size sculptures 11th – 17th century
  • Small-size sculptures 18th – early 20th century
  • enamel of Troitza masters 15-8th – early 20th century
  • 5.Embroidery, lace, textiles of the 14th - early 20th century
  • icon and ornamental embroidery
  • gold and silver lace
  • 6.Painting of the 18th – 21st centuries
  • painting of the 18th – 19th centuris
  • painting of the 20th – 21st centuris
  • II.Manuscripts and old printed books of the 14th – 17th century
    IV.Lithography of the 18th – 19th century
    V.Numismatics
    VI.Medals of the 18th - early 20th century
    VIII.Archeology collection

    IX. Russian folk and applied and decorative art of the 17th – 21st c.
    1. Artistic wood
  • folk carved and painted wood
  • wooden toys
  • house carving of Sergiev Posad
  • Khokhloma and Gorodets painting
  • 2. Artistic textiles
  • embroidery and weaving
  • printed textiles and lace
  • Russian shawls
  • folk costumes
  • folk garments
  • printed cotton kerchiefs
  • Rus Eng

    Khokhloma and Gorodets painting (p. 2)

        Since 1950th years, the basic output of products with khokhloma painting was concentrated in Semino village of Koverninsky district (the enterprise «Khokhlomsky artist») and in Semenov (the enterprise « Khokhlomsky painting»). The unique products executed for various All-Russia and zone exhibitions by art masters of these enterprises of O.N.Veselova, N.I.Ivanova, O.P.Lushina, N.P.Salnikova, V.K.Shvetsova, etc., have made a basis of museum Khokhloma collection of second half 20th - the beginnings of 21st century.
    The Screen with khokhloma painting.
    The Screen with khokhloma painting.
    Set of doll ware. 1953. Artel of 19th years of October. Vorotilovo vil. Gorodetsk district.
    Set of doll ware. 1953. Artel of 19th years of October. Vorotilovo vil. Gorodets district.
    Ivanov N.I. Salnikova N.P. Set for jam. 1966.
    Ivanov N.I. Salnikova N.P. Set for jam. 1966.
    Lushina O.P. Vase for sweets and bowls. 1972.
    Lushina O.P. Vase for sweets and bowls. 1972.
        The Gorodets collection of the museum, as well as Khokhloma, is rather extensive. It differs by rare completeness and allows tracking the basic stages of development of this centre since its formation till today.

        Gorodets’s craft formed in the end of a 18th century. Peasants of some small villages located nearby to large trading village Gorodets, made for sale bottoms of distaffs. Women sat on them in an operating time, having strengthened in a special aperture a high crest with a linen or woollen tow. The bottom was not only a gift to the woman, but also a subject, which was used in various ceremonies, therefore it by all means tried to make beautiful, and placed on a house wall after work.

        For decoration of bottoms used very rare in Russian folk art reception of incrustation by slices of dark thin oak. By 1870s from a carving with incrustation passed to a painting, by fast picturesque dabs represented magnificent "rose trees", horsemen, scenes of tea drinking and walks. By 1920s the necessity for bottoms disappeared, and Gorodets’s masters began to use widely their picturesque skills in an ornament of other subjects: boxes, caskets, decorative panels, toys.
    Bottom. First half of 19th century
    Bottom. First half of 19th century
    Polyakov G.L. Battle near Adrianople. 1881.
    Polyakov G.L. Battle near Adrianople. 1881.
    Smirnov V. K. Bottom. First half of 1890s.
    Smirnov V. K. Bottom. First half of 1890s.
        The museum collection includes the variety of works recognized as "classical" samples of Gorodetz art. Among them Anton Melnikov's (1860) and Gabriel Polyakov’s (1881) rare subscription bottoms executed in the late of 1930s, and the panel of Ignatiy Mazin «Mazin on hunting» and « Life of Mazin».

        It is possible to rate the work of I.K.Lebedev and D.I.Krjukov, a screen «Town governors of the city of Glupova» created on motives of novells of M.E. Saltykov-Shchedrin «The history of Glupov City» as unique products of a craft.
    Mazin I.A. Panel “Mazin on hunting”. 1937.
    Mazin I.A. Panel “Mazin on hunting”. 1937.
    Mazin I.A. Panel “Life of Mazin”. 1937.
    Mazin I.A. Panel “Life of Mazin”. 1937.
    Lebedev I.K., D.I. Kryukov. Screen “Town governors of the Glupov city”. 1938.
    Lebedev I.K., D.I. Kryukov. Screen “Town governors of the Glupov city”. 1938
        The museum stores a considerable collection of drawings with samples of Gorodets ornaments which considerable part was executed by A.E.Konovalov – the known Gorodets master who has headed work on revival of a craft during post-war time. To the middle of 1980th A.E.Konovalov remained the creative director of the enterprise «The Gorodets painting», in which bounds the craft developed in the second half of 20th century.

        In the museum collection products of all art directors of a craft of this time are presented: L.A.Kubatkina, F.N.Kasatova, L.F.Bespalova, V.A.Chertkova, E.N. Staroverova, etc. The great interest represented series of works on a "Sergiev Posad" theme, which has been executed by masters of a craft in the mid-nineties by request of a museum.
    Kubatkina L.A. Panel “At a well”. 1980.
    Kubatkina L.A. Panel “At a well”. 1980.
    Tchertkov V. A. Panel “the Sonorous pancake week”. 1989
    Tchertkov V. A. Panel “the Sonorous pancake week”. 1989
    Bespalova L.F., Zelenin, V.G.Igrushka. Toy  engine PYH-PYH. 1994
    Bespalova L.F., Zelenin, V.G.Igrushka. Toy engine PYH-PYH. 1994
    Kasatova F.N. Decorative plate “The fortification. Church of Christmas of John Baptist. 1997.
    Kasatova F.N. Decorative plate “The fortification. Church of Christmas of John Baptist. 1997.




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