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The Sacristy
Expositions:
  • “The Sacristy of the Trinity-St. Sergius Lavra of the 14th – 19th cc.” (icons, manuscripts, icon-embroidery , church utensils)
  • Expositions:


    Konny Dvor
    Expositions:
  • The Ancient Past of the Sergiev Posad Land (archeology)
  • The Trinity-St. Sergius Lavra: architectural ensemble, pages of history (the 14th – 18th cc.)
  • Russian Applied and Decorative Art of the 18th – 21st c. (open funds)
  • The World of a Russian Village (Russian folk art in people’s life)
  • Exhibitions

  • Museum of Russian Matryoshka

  • The Main Building
    Exhibitions:

    Local History Department Exhibitions:
  • At the Trinity in Sergiev Posad
    (the illustration of the city's life)
  • Between the Revolution and War (1917 – 1941)


  • Old archive     New Archive
    Rus Eng

    The World of a Russian Village
    (folk art in people’s life: rituals, traditions, feasts), (p. 1)


    Hall 1. Roof ridge. 19th century. The Arkhangelsk Region. The recently opened exposition “The World of a Russian Village” presents one of the most comprehensive collections of Russian folk art of the 18th – early 20th century in Russia. The numerous specimens of traditional culture help visitors to imagine folk craftsmen’s way of life and to get acquainted with the most significant rituals; family, calendar and labor feasts of a Russian village.

    The first hall



    Hall 1. Fronton. Master Mikhail Malyshev. 1882. The Nizhegorodskaya Province. The first hall presents the exterior and interior decoration of a peasant house of the late 19th – early 20th century. The rich Museum collection of architectural carving shows various techniques, compositions and images in Northern Russia and in the Volga Area samples. The fronton, made in 1882 by Mikhail Malyshev from the Nizhegorodskaya Province, is most valuable. The free interpretation and superb technique characterize M. Malyshev as one of the most talented craftsman of the Volga house architecture.

    Hall 1. Window-frame and frontal board. Second half of the 19th century. The Nizhegorodskaya Province. The peasants’ belief in the “other world” is confirmed by the frequent kind and evil images: mermaids, mermen, seirens. Nearly the whole spectrum of the mythological images and motifs of the Volga architectural carving is represented in the window-frame of the late 19th century from the Nizhegorodskaya Province. It reflects our ancient ancestors’ ideas of the world.


    Hall 1. Exhibition. Fragment. Red corner  of  a peasant house. Late 19th – early 20th century. Vyatka-Vologda Region. The peasant house interior was determined by the tradition that passed from generation to generation. The late 19th – early 20th century interior of the Vyatka-Vologda Region is conventionally staged. Each corner of the heated part of the house had its significance and was used as a separate room. In contemporary terms, four corners corresponded to a kitchen, hall, sitting-room and bed-room. The main parts were stove and “red” corners of the house, presenting special sacral centers.


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